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This 368-page artist's book presents a collaboration between the young Brussels-based artist Hans Op de Beeck and authors Nicolas de Oliveira and Nicola Oxley. It collects artworks from the last 10 years alongside texts that generate from questions posed by literary figures like Jorge Luis Borges, Italo Calvino, Georges Perec and Alain Robbe-Grillet.

Beeck, op de, Hans --- Op de Beek, Hans --- 7.071 OP DE BEECK, HANS --- 7.07 --- Installaties ; environments ; 1998-2007 ; Hans Op de Beeck --- Belgische kunstenaars --- Environments ; maquettes ; schaalmodellen --- Hans Op de Beeck (°1969, Turnhout, B.) --- Videokunst ; film ; fotografie --- Nicolas de Oliveira and Nicola Oxley --- kunst --- België --- Op de Beeck Hans --- twintigste eeuw --- eenentwintigste eeuw --- tekenkunst --- installaties --- fotografie --- video --- maquettes --- 7.071 OP DE BEECK --- Creatieve en vertolkende bezigheden in verband met kunst. Activiteiten van beroepsartiesten--OP DE BEECK, HANS --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- 7.071 OP DE BEECK, HANS Creatieve en vertolkende bezigheden in verband met kunst. Activiteiten van beroepsartiesten--OP DE BEECK, HANS --- Op de Beeck, Hans (°1969, Turnhout, België) --- Beeck, Op de, Hans --- Beeck, Hans Op de, --- Op de Beeck, Hans, --- De Beeck, Hans Op, --- Bek, Khans Op de, --- Op de Bek, Khans Op, --- Criticism and interpretation. --- Op de Beeck, Hans --- Criticism and interpretation --- MAD-faculty 17 --- hedendaagse kunstenaars --- Iconography --- Art --- Architecture --- Sculpture --- Film --- tables [support furniture] --- installations [visual works] --- art [fine art] --- architecture [discipline] --- landscape architecture [discipline] --- sound [acoustics] --- parties [events] --- video art --- mixed media --- ruins --- texts [documents] --- sculpting --- human figures [visual works] --- landscapes [representations] --- anno 1900-1999 --- anno 2000-2099 --- Belgium --- Art, Belgian --- Art, Modern --- 790 --- hedendaagse kunst --- art contemporain --- kunstenaars --- artistes --- Op de Bek, Khans Op --- Op de Bek, Khans --- art [discipline]

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Installation is arguably the most original vigorous and fertile form of art today. No large-scale survey or festival of contemporary art would be complete without examples of installations, and it is these that usually attract the greatest attention and cause the most controversy. Yet this is the first book ever to describe the tradition and explore the achievements and ambitions of the installation artist.Michael Archer's illuminating introduction traces the history of installations art from Duchamp's first readymade through the Pop tableaux of Kienholz, Oldenburg, Kapoor and Dine to more recent developments such as Land Art and Process Art. This is followed by a global range of installations presented and documented by Nicolas de Oliveira, Nicola Oxley and Michael Petry. All these works share a theatrical power and an insistence that the viewer be involved, from Christian Marclay's floor carpeted with LPs and Jenny Holzer's pulsating LED screens with their enigmatic messages, to Lothar Baumgarten's haunting memorial to Native American tribes and Hiroshi Teshigahara's tranquil tunnels of bamboo. The pieces are grouped into four sections, with more than 260 illustrations. Authoritative reference material includes a chronology which details the history of installation from its roots in the late nineteenth century to today and an extensive bibliography. Installation is a rich art form, often heroic in scale, sometimes with and subversive, usually impermanent. This pioneering volume captures fully the variety and scale of these many-layered works - the essential contemporary record of a vibrant, fast-changing discipline. Acconci, Vito ; Adams, Dennis ; Anselmo, Giovanni ; Antin, Eleanor ; Araeen, Rasheed ; Arc Group ; Armajani, Siah ; Artschwager, Richard ; Asher, Michael ; Barclay, Per ; Barlow, Phyllida ; Barney, Matthew ; Barry, Judith ; Berenhaut, Marianne ; Beuys, Joseph ; Bijl, Guillaume ; Birnbaum, Dara ; Bloom, Barbara ; Boccioni, Umberto ; Boltanski, Christian ; Borofsky, Jonathan ; Bosslet, Eberhard ; Bourgeois, Louise ; Brodsky, Alexander ; Broodthaers, Marcel ; Bruch, Klaus vom ; Bulloch, Angela ; Bunschoten, Raoul ; Burden, Chris ; Buren, Daniel ; Byars, James Lee ; Cadieux, Geneviève ; Calle, Sophie ; Calzolari, Pierpaolo ; Chadwick, Helen ; Chaimowicz, Marc Camille ; Christo ; Coleman, James ; Coleman, John ; Couper, Max ; Cragg, Tony (Anthony) ; Cranston, David ; Cranston, Meg ; Culbert, Bill ; Currah, Mark ; Delvoye, Wim ; Diamond, Jessica ; Dimitrijevic, Braco ; Dine, Jim ; Duchamp, Marcel ; Dye, David ; Eerdekens, Fred ; Egashira, Shin ; Fabro, Luciano ; Feininger, Lyonel ; Fend, Peter ; Finn-Kelcey, Rose ; Fischli & Weiss ; Fisher, Andrea ; Riverhead (New York) ; Fleming, Martha ; Fontana, Lucio ; Gallaccio, Anya ; General Idea ; Gins, Madeline ; Gober, Robert ; Goldenberg, David ; Gooden, Nat ; Gormley, Antony ; Graham, Dan ; Gran Fury ; Greaves, Andrew ; Group Material ; Gu de Xin ; Haacke, Hans ; HAHA ; Hamilton, Ann ; Hamilton-Fraser, Donald ; Hammons, David ; Haselden, Ron ; Hatoum, Mona ; Hay, Paul ; Head, Tim ; Hill, Gary ; Hiller, Susan ; Hillwood-Harris, Ben ; Hirst, Damien ; Holzer, Jenny ; Horn, Rebecca ; Hotel Pro Forma ; Ireland, David ; Jaar, Alfredo ; Jennings, Chris ; Jetelova, Magdalena ; Judd, Donald ; Kabakov, Ilya ; Kapoor, Anish ; Kaprow, Allan ; Katase, Kazuo ; Kawamata, Tadashi ; Keane, Tina ; Kelley, Mike ; Kesseler, Rob ; etc.

Art, Modern --- Installations (Art) --- Art --- Nicolas de Oliveira, Nicola Oxley, Michael Petry ; With texts by Michael Archer --- kunst --- twintigste eeuw --- installaties --- naslagwerk --- 7.038 --- Installation-art --- installations [visual works] --- Baumgarten, Lothar --- Broodthaers, Marcel --- Cragg, Tony --- Vercruysse, Jan --- Tatlin, Vladimir --- Lissitzky, Eliezer --- Tremlett, David --- Buren, Daniel --- Landy, Michael --- Phaophanit, Vong --- Paik, Nam June --- Kienholz, Edward --- Oldenburg, Claes --- Antin, Eleanor --- Armajani, Siah --- Coleman, James --- Kummer, Raimund --- Leccia, Ange --- Locher, Thomas --- Perejaume --- Simonds, Charles --- Duchamp, Marcel --- Station House Opera --- Araeen, Rasheed --- Barry, Judith --- Barclay, Per --- Barlow, Phyllida --- Berenhaut, Marianne --- Bosslet, Eberhard --- Brodsky, Alexander --- Bunschoten, Raoul --- Eerdekens, Fred --- Coleman, John --- Fabro, Luciano --- Fontana, Lucio --- Cranston, David --- Cranston, Meg --- Currah, Mark --- Adams, Dennis --- Diamond, Jessica --- Dye, David --- Egashira, Shin --- Finn-Kelcey, Rose --- Fleming, Martha --- Pistoletto, Michelangelo --- Morris, Robert --- Bourgeois, Louise --- Goldenberg, David --- Goodden, Nat --- Greaves, Andrew --- Gu Dexin --- Christo --- Jennings, Chris --- Keane, Tina --- Kesseler, Rob --- Kivland, Sharon --- Couper, Max --- Kawamata, Tadashi --- Smithson, Robert --- Kozlowski, Jaroslaw --- Laramee, Eve Andrée --- Leventon, Rosie --- Lafontaine, Marie-Jo --- Onwin, Glen --- Mabe, Joni --- Madsen, Loren --- Delvoye, Wim --- Feininger, Lyonel --- Mochetti, Maurizio --- Morgana, Aimée --- Beuys, Joseph --- Nogueira, Lucia --- Otterso, Joel --- Pallanka, Heike --- Peplow, John --- Petry, Michael --- Pirri, Alfredo --- Prendergast, Kathy --- Robbe, Wolfgang --- Schäfer, Hansjörg --- Skersis, Victor --- Stingel, Rudolf --- Sudell, Louise --- Terauchi, Yoko --- Teshigahara, Hiroshi --- Tisdale, Danny --- Torres Monsó, Francesco --- Long, Richard --- Trangmar, Susan --- Tunga --- Ukeles, Mierle Laderman --- Utkin, Ilya --- Boltanski, Christian --- Byars, James L. --- Wakeley, Shelagh --- Kabakov, Ilija Iosefovich --- Wilkinson, Caroline --- Steinbach, Haim --- Wood, Craig --- Wood, Julia --- Zimmermann, Peter --- Marinetti, Filippo Tommaso --- Stockholder, Jessica --- Arakawa, Shusaku --- Penone, Giuseppe --- Thek, Paul --- Klein, Yves --- Louis, Morris --- Manzoni, Piero --- Plessi, Fabrizio --- Cage, John --- Serra, Richard --- Fisher, Andrea --- Boccioni, Umberto --- Kiefer, Anselm --- Merz, Mario --- Viola, Bill --- Kelley, Mike --- Rauschenberg, Robert --- Schütte, Thomas --- Morellet, François --- Sonnier, Keith --- Acconci, Vito --- Venlet, Richard --- Graham, Dan --- Meireles, Cildo --- Raynaud, Jean Pierre --- Judd, Donald --- Anselmo, Giovanni --- Artschwager, Richard --- Barney, Matthew --- Turrell, James --- Birnbaum, Dara --- Cadieux, Geneviève --- Calle, Sophie --- Calzolari, Pier Paolo --- Chaimowicz, Marc Camille --- Dine, Jim --- Fischli, Peter --- Flavin, Dan --- Kapoor, Anish --- Kounellis, Jannis --- Kruger, Barbara --- Lawler, Louise --- Levine, Sherrie --- McCollum, Allan --- Nauman, Bruce --- Noland, Cady --- Sarkis --- Weiss, David --- Gober, Robert --- Parker, Cornelia --- Bulloch, Angela --- Orozco, Gabriel --- Bloom, Barbara --- Borofsky, Jonathan --- Bruch, vom, Klaus --- Burden, Chris --- Schwitters, Kurt --- Chadwick, Helen --- Culbert, Bill --- Fend, Peter --- Gormley, Antony --- Ireland, David --- Jetelová, Magdalena --- Katase, Kazuo --- Laib, Wolfgang --- Le Va, Barry --- Marclay, Christian --- Maria, de, Walter --- Muntadas, Antonio --- Nordman, Maria --- Rheinsberg, Raffael --- Rückriem, Ulrich --- Vostell, Wolf --- Welch, Roger --- Whiteread, Rachel --- Wodiczko, Krysztof --- Vilmouth, Jean-Luc --- Dimitrijević, Braco --- Jaar, Alfredo --- Miralda, Antoni --- Leibowitz, Cary S. --- Piper, Adrian --- Wilson, Richard --- Knoebel, Imi --- Bijl, Guillaume --- Matta-Clark, Gordon --- Kaprow, Allan --- Kosuth, Joseph --- Asher, Michael --- SITE [New York, N.Y.] --- General Idea --- ARC Group --- Gran Fury --- HAHA --- Hotel Pro Forma [Copenhagen] --- Studio Libeskind --- anno 1900-1999 --- Beeldende kunst ; installaties ; 20ste eeuw ; naslagwerken --- 7(03) --- Kunst ; encyclopedieën --- Gran Fury [New York, N.Y.] --- Lissitzky, El --- 7.038(03) --- Beeldende kunst ; 20ste eeuw ; installaties --- Kunstgeschiedenis ; 1950 - 2000 --- Installations (Art) - 20th century --- Installations (art ) --- 1990 --- -1945 --- -Installation-art

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Après Installations, l'art en situation (1997), Thames & Hudson présente un livre richement illustré, réalisé par les codirecteurs du Museum of Installation de Londres, qui fait référence au sens (stimulus) de l'œuvre. Bilan d'une des formes artistiques les plus influentes de la création contemporaine, l'ouvrage exprime les changements d'orientation - le passage d'un art de la situation à un art de la sensation - en s'appuyant sur ces thèmes : l'interactivité avec le public, le dialogue avec d'autres disciplines que l'art ; la mémoire, à travers des projets de récupération, d'archivage ; et l'installation comme surface de « Réflexion », renvoyant au public sa propre image, celle de la société, miroir aux reflets sémantiques. En 1992, Robert Storr, commissaire de « Dislocation » au MoMA de New York, établissait, le premier, l'art de l'installation comme œuvre majeure : « No Stage, no Actors, But it's Theatre (and Art) ». Une approche pertinente, amusante, interrogative, car elle fait référence à la mémoire collective au cœur d'une culture qui repose sur l'amnésie historique. Certains artistes jouent de l'opposition entre réalité d'un monde décati et débauche fantasmagorique d'images à l'écran, d'autres exploitent la fragilité de notre corps, sur le thème de la chirurgie plastique, du clonage, ou encore troublent les frontières entre médium et message comme Francis Alÿs dans 'cuendo la fe mueve montanas'. Installations II immerge le lecteur dans ce courant en réponse à la profonde crise épistémologique de ce début de millénaire. A consommer sans modération. (extrait du site internet http://www.techniquesarchitecture.com/kiosque/livres.cfm?Type=Detail&ProduitID=1080&ArticleID=114139&langue=fr)

Art contemporain --- Contextualité --- Environnement, art plastique --- Installation-art --- Panorama mondial --- installation (art)

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Folstad, Marit

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The Cliff, which is the title of both the piece and the exhibition, is a romantic naturescape in the form of a life-sized sculptural installation. Art and everyday life blur into one another; real-looking persons and objects mutate into sculptures in their monochromy. Life seems halted, frozen like in Pompeiian cement. For the artist, this is not at all about a hyperrealist imitation of reality but about an own interpretation in a process-based creative manifestation of the sculptural work. At night, Op de Beeck, painter and draftsman, delves into the world of watercolors and ink painting, whose wet washes steep the precise matter-of-factness into an atmosphere of painterly lyricism. Sometimes the sheets function as frames for film projects--like for his nocturnal animation film "Night Time", which is presented in the exhibition together with a selection of other films. Among them, there also is "Staging Silence (2)", in which bodiless hands appear on film creating imaginative settings on a stage using everyday objects like plastic bottles or lumps of sugar. A surreal journey of the wondrously melancholic world of Hans Op de Beeck

Installations (Art) --- Beeck, Hans Op de,